Mission Statement
Guilty Pleasures: The Music Edition is intended as a forum to review songs that were once considered out-of-favor. Readers are asked to rate the songs using a 10 point voting system (10=strong like, 1=strong dislike) and provide their comments.
The objective is to review the songs offered here with a fresh listen for things like intent (objective), structure, influences (to or from), production value, and performances, all within the context of its musical time frame and while trying to forget past reactions. Hopefully we can hear something different in a song we once thought was less-than-pleasing.
So remember, valid reactions include:
1) None of my friends ever liked this song, but I always did.
2) I never liked this song, but listening to it again after all this time now it makes me want to: (a) tap my foot, or (b) shove a pencil in my ear.
All legit.
-Ken
The objective is to review the songs offered here with a fresh listen for things like intent (objective), structure, influences (to or from), production value, and performances, all within the context of its musical time frame and while trying to forget past reactions. Hopefully we can hear something different in a song we once thought was less-than-pleasing.
So remember, valid reactions include:
1) None of my friends ever liked this song, but I always did.
2) I never liked this song, but listening to it again after all this time now it makes me want to: (a) tap my foot, or (b) shove a pencil in my ear.
All legit.
-Ken
Friday, October 26, 2012
"Without You" by Harry Nillson
After recently watching a documentary on Harry Nillson, I decided to get his 1971 album "Nillson Schmillson" as a way to connect with his music. Quite the eclectic assemblage of songs, some original, some covers, all from a great artist, composer, wonderful singer, and, by famous accounts by his famous friends, quite the party animal, but the one that stands out for me is his amazing track "Without You" which won him the Grammy for Best Pop Male Vocal for 1972.
From a beautifully sung opening verse to a chorus that soars to incredible vocals heights, I must admit I have spent time in the car on the way to gigs recently listening to that track repeatedly, and I shake my head in amazement at the end of every listening. Powerful falls short in describing such a performance, and to think this guy rarely performed live; what a shame. The orchestral score is wonderful, and thats Jim Keltner channelling his inner-Ringo on drums. An amazing track.
The guilt? It's in the lyrics, of course, because everyone's been in a love gone bad and thought to themselves "I can't live, if living is without you" (go on, admit it).
Sure, "Coconut" is the best one-chord song ever written, his vocals on "Everybody's Talkin'" are pop-folk at its finest, but the entire production of "Without You" is so steeped in Guilty Pleasure that I just might have to make this the G.P. anthem. So go ahead and give a guilt-free listen, because though we couldn't admit to our friends that we liked this back in 1972, we can now sit back and marvel in its simplicity and greatness.
Cheers, Harry.
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